The Science of Songwriting

     popular music theory and analysis

Incidental

Losing Ground (2005) »»»
My friend Bryan Wizemann wrote a great play some time ago, and when he wanted to turn that play into a movie, he asked me to write some little musical snippets for the soundtrack. Most of the stuff I wrote did not get included in the movie, but I think I created some quirky little soundscapes that have a life of their own.

Public Radio (Hillary Frank) »»»
Hillary Frank, an old friend of mine from Boston, has a pretty successful career as a radio producer and book writer. She uses some of my songs as background music for her radio pieces once in awhile. Here are a few examples:

Fahrenheit 9/11 (2004) »»»
Dir. Michael Moore. Columbia Tristar Horn. Diegetic Music.

Desdemona »»»
My friend Matthieu Cornillon (affectionately nicknamed “Doc”) was directing a small theatre production based on Shakespeare’s Macbeth called Desdemona. I wrote a main theme for the production, as well as a ton of little variations for scene changes. The play is by Paula Vogel and was performed at Theater 54 in New York City, June 2003.

The Last Menagerie »»»
My friend Sarah Snider from NYU hooked me up with this little gig writing incidental music for an off-off-off-broadway theatre production called The Last Menagerie based on The Glass Menagerie. The music that I wrote was actually not all that bad, but it did help in convincing me that classical-type composition and/or soundtrack-type composition was not my forte. The play was directed by David Vining and played at the HERE Arts Center in New York City, Jan-Feb. 2001.

The Fringe (2001) »»»
Dir. Jeff Palmer. Flicker Productions.

Sense (1998) »»»
Dir. Bryan Wizemann. Ballast Films.

The Killing Jar (1996) »»»
Dir. Maximilian Cutler. Red Rabbit Productions.