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	<title>Comments on: Diminished Chords in Lionel Hampton&#8217;s Solos</title>
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	<link>http://www.midside.com/2007/02/04/diminished_hampton/</link>
	<description>popular music theory, analysis, and criticism</description>
	<pubDate>Sun, 07 Sep 2008 09:54:11 +0000</pubDate>
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		<title>By: trevordeclercq</title>
		<link>http://www.midside.com/2007/02/04/diminished_hampton/#comment-89</link>
		<dc:creator>trevordeclercq</dc:creator>
		<pubDate>Sat, 03 Mar 2007 01:11:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.midside.com/blog/?p=10#comment-89</guid>
		<description>According to Don Byas, Art Tatum once told him sometime in the 1930s:

"What makes a note wrong is when you don't know where to go after that one.  As long as you know how to get to the next note, there's no such thing as a wrong note.  You hit any note you want and it fits in any chord."

Your quote is a lot more elegant and succinct, though, John.  Of course, who knows who really said it first!</description>
		<content:encoded><![CDATA[<p>According to Don Byas, Art Tatum once told him sometime in the 1930s:</p>
<p>&#8220;What makes a note wrong is when you don&#8217;t know where to go after that one.  As long as you know how to get to the next note, there&#8217;s no such thing as a wrong note.  You hit any note you want and it fits in any chord.&#8221;</p>
<p>Your quote is a lot more elegant and succinct, though, John.  Of course, who knows who really said it first!</p>
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		<title>By: trevordeclercq</title>
		<link>http://www.midside.com/2007/02/04/diminished_hampton/#comment-21</link>
		<dc:creator>trevordeclercq</dc:creator>
		<pubDate>Wed, 14 Feb 2007 13:48:27 +0000</pubDate>
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		<description>Hey John!  Thanks for stopping by.  Good comment.  

Your comment reminds me of a saying in jazz something to the effect of no matter what note you play, if you aren't on a note that works, you are always at most only a half-step away from a note that does work.  

It's quite noteworthy, I think, how "tonal" these old jazz recordings sound, while they are often using every note from the chromatic scale in a short span of time.  It goes to show that it's not the notes you use, but how you organize them.</description>
		<content:encoded><![CDATA[<p>Hey John!  Thanks for stopping by.  Good comment.  </p>
<p>Your comment reminds me of a saying in jazz something to the effect of no matter what note you play, if you aren&#8217;t on a note that works, you are always at most only a half-step away from a note that does work.  </p>
<p>It&#8217;s quite noteworthy, I think, how &#8220;tonal&#8221; these old jazz recordings sound, while they are often using every note from the chromatic scale in a short span of time.  It goes to show that it&#8217;s not the notes you use, but how you organize them.</p>
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	<item>
		<title>By: John Covach</title>
		<link>http://www.midside.com/2007/02/04/diminished_hampton/#comment-20</link>
		<dc:creator>John Covach</dc:creator>
		<pubDate>Mon, 12 Feb 2007 18:41:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.midside.com/blog/?p=10#comment-20</guid>
		<description>Lee Ritenour used to say "there's no such thing as a bad note, just a bad resolution."  I'm sure he got that from someone else, but it does nicely underscore your point about outside notes that resolve into chord tones.</description>
		<content:encoded><![CDATA[<p>Lee Ritenour used to say &#8220;there&#8217;s no such thing as a bad note, just a bad resolution.&#8221;  I&#8217;m sure he got that from someone else, but it does nicely underscore your point about outside notes that resolve into chord tones.</p>
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